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Will Hainan Opera survive the internet generations?

Hainan opera is an integral part of Hainan culture. Its origins, when it began and how it developed however are a little unclear. What is known for sure is that it has been a part of Hainan Island culture going back for at least three hundred years. From the 1740’s to the 1790’s the number of theatre halls in Haikou where operas were performed for locals slowly grew, but it wasn’t until the arrival of Huang Kuang Sheng, a famous Hainan opera singer (1875 - 1908), that its popularity really soared.

The next hundred years was a century of turbulence for Hainan opera, by 1939 and the Japanese occupation it was already in decline. In the decade from 1966 to 1976 it suffered further setbacks with troupes dismissed, schools closed and music scores and other materials irretrievably lost. 1978 saw a change in fortune and Hainan opera had turned a corner, schools reopened, costumes were dusted down and music and singing filled the halls once again. By 1982 troupes were performing in Hong Kong, Singapore, Thailand and Malaysia.

Hainan Opera has three genres, drama, action and modern. There are currently about 1,500 classical or traditional plays which encompass drama and action with modern plays been written all the time. The five classic character roles are sheng, dan, jing, mo and chou each of which can be further divided into various types of characters and (very) roughly translate into young handsome male, elegant female, colourful character, bearded character and extras.


The older generation Hainanese are particularly passionate about their opera, for them it’s more than just music and song, it’s a part of their cultural heritage, a link to previous generations and the history of where they came from. Hainan opera is a reflection of their values, attitudes and communities and they pack out opera halls for professional performances and flock to local parks in the city to enjoy Sunday morning amateur shows. But at the start of this new century it would appear perhaps that the turbulent times for Hainan opera may not be over.

Culture is not static but develops and changes as people adapt to new, more modern ways of life or are influenced by mass media and popular and international culture as they strive to create new identities for themselves. Connections with cultural heritage can be lost, traditions may come to be seen as archaic and no longer relevant, and even unnecessary in these modern times.

With seventeen professional and more than one hundred armature opera troupes currently performing in Hainan, for now Hainanese opera seems to be in safe hands. But there is no doubt that Hainan opera will face a significant challenge in the years to come as it strives to re-engage the internet generations.



Patrick 31.05.2017 4 273
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  •  Patrick: 

    One of the good things about Hainan is, despite suggestions to the opposite, it is actually getting a lot of support from the government... 

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  •  Tintin: 

    Cool article mate. I suspect like other traditional performance art forms such as geishas and morris men it will struggle to be seen as fashionable entertainment by the younger generation but will nonetheless endure as a symbol of cultural identity. 

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  •  Patrick: 

    ISO 800 - 1600 and 300mm lens. lean up against a wall or something solid, A technique I like to use if I dont have a monopod is to put left hand on right shoulder, rest the lens on the crook of left elbow and hold my breath ...... Usually operas are at night time with poor lighting so camera shake is a real problem, especially at 300mm 

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  •  Jake-canning: 

    Great article, it's interesting to know about the 5 classic character roles. I know very little about the opera here and looking forward to seeing a performance soon. 

    Love the photos, especially the black and white ones at the bottom of the article, how did you manage to get so close to them? 



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